Twisted
Published in Guernica
The birthday party was evaporating, the cake,
crumbs, the donkey, pinned, Mary-the-boy-pony
was being loaded into his trailer for the ride
to his next gig at the teen orphanage, the clown
was sitting on a picnic bench, sipping bubbly,
free-styling for the die-hards, preaching to the kids
about cinema and quantum mechanics, there's a scene,
the clown said, as he twisted blue balloons
into a giant squid evading Japanese fishing nets
but awakening Godzilla, a scene in The Red Balloon
where our hero, Pascal, walks le ballon rouge
across a bridge as a train passes underneath
filling the shot with steam, white smoke, poof smoke,
a scene that moves backward and forward through
the history of film, foremost and first
it's an echo, a riff, a bald-faced homage to
L'arrivée d'un train en gare de la Ciotat,
The Lumière Brothers tour de force, the clown said,
as he twisted black and white balloons into a lamb
whose eye was the eye Luis Buñuel slices open
with a razor in Un Chien Andalou and the lamb
David Lynch used as a baby in Eraserhead, legend
has it that the opening night crowd, which included
Sigmund Freud, Fanny Cerrito, and Alfred Jarry
was so frightened of the image of a life-sized train
steaming toward them that people screamed and ran
to the back of the theater, the clown said, twisting
olive, sienna, cerulean and flesh balloons
into "Study for the Nurse in Battleship Potemkin,"
a painting by Francis Bacon based on the mouth
of the screaming nurse in the Odessa sequence
in Eisenstein's film, it's the scene, Pascal
on the bridge with his balloon lost in the smoke
that Spielberg presses into Schindler's List
as the girl in the red coat, the clown said, twisting
glow-sticks and white balloons into the bone slash
orbiting nuclear weapons satellite
from 2001, Spielberg knew that our brains,
those conflating machines would fold the girl's coat
into the boy's balloon so we would hear the train
filling the shot with steam, white smoke, poof smoke,
a scene that moves backward and forward through
the chuffing death camp trains spewing their fogs,
the clown said, twisting red Technicolor balloons
into the red shoes from The Red Shoes, Spielberg knew
Le Ballon Rouge was about Christ, but not the Son
of God Christ, no, just the Jesus who's a Jew,
any questions, the clown asked the remaining child,
can you make a dog, the boy asked, let me tell you
about Tarkovsky and Andrei Rublev, the clown said,
pulling a pack of balloons from his floppy shoe
thinking, Toto or Precious, Asta or Laika?